“I vant to like this movie” or, ‘This really isn’t good for my blood pressure.’
So Marvel Month is over and done with and I decided I needed to make a clean break – establish some critical distance from the comics to the rest of the blog. So, thinking it over, I settled on doing a classic – something with a fine pedigree, something that is usually found in the classics section. As an English student I am a fan of the classics in the literature section and I have always had a fondness for the horror classics of Gothic literature. This was the thought process that lead me to the 1897 novel by an Irish writer by the name of Bram, one of my favourite novels and one of the first horror novels I ever read… Oh yes, this week is Dracula week.
Dracula is THE classic horror story and has been adapted multiple times, some of them now considered film classics. However I decided I would focus on a more recent adaptation by one of the best directors working in modern cinema. Francis Ford Coppola has been behind some of the best films of the 20th century; and for the twelve of you who don’t know, here’s a few highlights of things he’s been behind…
– Apocalypse Now.
– Lost in Translation (executive producer)
And many, many, many more. As a writer, director and producer this man has been one of the heavy hitters of Western cinema for decades now and in 1992 he was responsible for an adaptation of Stoker’s classic novel.
I feel for the sake of my own integrity I need to declare my own feelings here. I really, REALLY dislike this film. As an adaptation I think it is possibly the worst application of a text into a new medium I have ever sat through. If you’re a fan of this film, maybe it is for the best you come back next time because you’re not going to enjoy this one. If there is anyone still reading who wants to know how I’m going to justify this extreme opinion please bear with me whilst I state my case.
Firstly, the positives. The film looks nice. The design of the whole thing is really quite well done. The cast all know how to act properly.
Good, that’s out of the way…Now, onto the problems.
This film has some of the worst casting choices possible. I would have loved to have sat in the meeting discussing the casting options for this film; I imagine a room full of healthy and tanned American executives discussing Coppela’s latest project.
” I know, what about Keanau Reeves?”
“Yeah! He’ll be great!”
“Charlie, how much coke are you on? Keanau Reeves!? He’s from California! He has the emotional range of a roll of carpet samples!”
“Yeah, he’ll rock it! And for his wife, the perfect English Gothic rose? You know who I’m thinking – Winona Ryder”
“Charlie – she’s from California! She can’t do an English accent to save her life!”
“No no no, these are the people we need to carry this film…now who wants some more drugs?”
And those are the people they went for. It does not work. At all. The first time Jonathan Harker opened his mouth I had to pause the movie and laugh for a good minute, Reeves is woefully out of his depth and it cannot help but show. Ryder as Mina Harker is better, but not by much and her topless scene smacks of the gratuitous. The rest of the cast is solid but burdened with a script that hinders every single one of them.The reason for this is a script that forces the actors into a plot, that in places, reads more like a poor Harlequin romance than a horror.
It is in the plot that this films lets itself down so badly – the novel sets out to establish the vampire as something dangerous. Not just dangerous, but damning – an encounter with Dracula will not only cost you your life but also your spiritual salvation. Dracula isn’t sexy. Or fun. Rather an encounter with a Dracula, in the book, is portrayed as something so horrific that it will cost you your soul – Mina Harker’s reaction to discovering that she has been tainted by Dracula is nigh on hysterical with terror. On the other hand, the film takes a very different approach…
This starts with the establishing opening sequence, where we see the character of Dracula in the past as solider, who, thinking his wife dead, renounces his faith in God and swears to come back from the dead using the power of darkness. I will admit that the film does this very well, the scene where the chapel fills with blood shows off the production and design and Gary Oldman as Dracula gets to show off his acting chops with his dialogue in Romanian. From here, the film takes an entirely different tangent as to what a vampire is. Instead of being something dangerous, the film effectively sanitized the idea of a vampire – Oldman becomes a sympathetic figure seeking the love of his resurrected wife that will redeem him and enable him to get him into heaven.
Now, if you are still reading this as a fan of the film, I want you to re-read that last sentence and then compare it to the tone and character arc of Dracula in Stoker’s novel and then try and tell me with a staight face that this is a good way of adaptating the text. It isn’t even accurate. At all. The idea of a vampire ceases to be dangerous and no ammount of erotic seduction or lavish production will ever disguise the fact, that this is a horror film that just fails to be scary in the smallest degree.
Now, I know what you might be thinking. “Jon, you just don’t like anything that deviates from the book you’re a fan of..You hate someone who disagrees with you and can’t deal with the idea that someone might have a different take on a character!”
Well, no. I have no objection to the idea of someone making bold choices with a character but this is not what vampires ARE. If you want to make a movie about a supernatural creature looking for his reincarnated wife fine. No problem. No objection here. But there is a well established literaray tradition of what vampires are and how they behave. This tradition isn’t just the work of writers from the 1890’s but something based on the myths and legends of Eastern Eurpoe stretching back centuries. To ignore and neglect this part of the vampire mythos is not good adaptation, if anything it is ignoring the history of the genre and character and trying to make it into something new. In fact, the movie is an indulgence, it’s a fantasy puff piece designed to appeal to the people who grew up to write Twilight fanfiction. Yes, that’s right – I am going to blame this movie for spawning that horror of pop-culture mediocre waste of time that infatuated a generation of tweens. And for that, there will be no pit of hell deep enough… *sigh*
I started with saying that this was a biased review. I love this book, I read it as a teenager and I have constantly re-read it and it has never failed to inspire a little terror every time. I was initally excited about this film version but all that I was left with, when the credits rolled was an over-whelming sense of a missed opportunity . Someone wanted to make a vampire movie but didn’t get what a vampire was, didn’t get why a vampire was scary and had no idea how to make it work with this lavish and over-blown production.
I wanted to like this. I did and I swear I tried to, but as I mentioned with my review of X-Men how you feel about a film does colour the opinion you hold as a critic and enjoyment of a film does tend to cover the worst of filmic sins. But this…this is just terrible.
Don’t let me convince you. If you haven’t either read the book or seen the film then take a weekend and you tell me. Tell me why you think they got it right as an adaptation or tell me if you agree with me and get it off your chest. This is not just bad – this is not getting it, missing the point and producing something that doesn’t deserve to be called a vampire movie, it’s a romance movie for those with a fetish for biting. Classic literature deserves more than that.
But, hey – that’s just my two cents 🙂
PS I promise that next week I’ll do something that makes me less grouchy…
PPS Oh, and the classic black and white Dracula is so so so so much better. Simply on the grounds that the actors all have English accents that sound like English accents puts it over and above this one in terms of quality.